£110.00
Publication Date:
4 Aug 1993
Publisher:
Bloomsbury Publishing PLC
For delivery:
Estimated despatch 10 - 15 May 2024
Description
This study examines fictional recreations of the First World War in the interwar years and the phenomenal success of one play, Sheriff's Journey's End. The author challenges the notion of a 'modern' memory generated by the First World War by arguing that middlebrow texts formulated a set of images and ideas that eclipsed the wartime upheaval and imputed conservative 'meanings' to the collective memory.
Contents
Introduction - irony, modernism and tradition - modes of interpretation; irony and modern memory, tradition triumphant - echoes of the past in war literature, modernists versus traditionalists, the middlebrow novel; the Baedeker of the memory of war, mapping out the terrain of the interwar years. Part 1 The accountability of imagination: social background and non literary occupation, the intimate world of publishing, the testimony of the "Old guard", fiction as history, writing with a purpose, the English memory of war, "Morality" as a strategy of social and political renewal, safeguarding the individual against the mob, the middle of the road. Part 2 The invisible hand of the cause: the strength of inarticulate patriotism, the enemy, disenchantment in the novels of the late 1920s and 1930s, personal war. Part 3 "Standards are Different Here" - war recasts identity: the separate world of the men at war; fear, communion with the dead, spiritual language, homefront; conscientious objectors, defining English identity against German character, women and war, a generation apart. Part 4 The quest for continuity: preserving the past; the old order reabsorption into the old pattern, military tradition. Part 5 The theatre of war - "Journey's End": the plot of "Journey's End"; journey to success; the response of the press, the experience of 2nd Lieutenant Sherriff, Sherriff's literary reconstruction of his war experience; Sherriff and Hibbert, the public-school matrix of "Journey's End", the play's title, the "war consciousness" of "Journey's End", providing a social message; simplicity as a style of life and literature, revisited rather than revived. Conclusion: summary, the centre can hold.
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