Through seven key case studies from Khan's oeuvre, this book demonstrates how Akram Khan's 'new interculturalism' is a challenge to the 1980s western 'intercultural theatre' project, as a more nuanced and embodied approach to representing Othernesses, from his own position of the Other.
Contents Preface List of Images Acknowledgements Introduction 1. Khan's Body-Of-Action 2. Corporeal Gestures in Gnosis (2010) 3. Auto-ethnography and Loose in Flight (1999) 4. 'Third Space' Politics in Zero Degrees (2005) and Desh (2011) 5. Mobility and Flexibility in Bahok (2008) 6. Queering Normativity in iTMOi (2013) Conclusion Notes References Appendix: List of Performances
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